Paed Conca:
Clarinet, Electric Bass, Electronics
Raed Yassin:
Synthesizers, Vocals, Electronics
Alan Bishop:
Alto Saxophone, Vocals
Nadah El Shazly:
Vocals, keyboard, Electronics
Christine Kazarian:
Electric Harp
Hans Koch:
Bass Clarinet, Soprano Sax
Martin Kuchen:
Tenor Saxophone, Baritone Sax
Maurice Louca:
Keyboard, Organ
Radwan Ghazi Moumneh:
Buzuk, Vocals, Modular Synthesizer
Sam Shalabi:
Electric Guitar, Oud
Ute Wassermann:
Vocals, Mouth Harp, Whistles
Khaled Yassine:
Drums, Percussion, Darbuka
Michael Zerang:
Drums, Percussion
If you’ve ever traveled to Egypt and wandered through its crowded streets, you probably ended up buying a cassette or a CDR of popular synth-based music heard in most cabs, cabarets, or alleys around town: the almighty Shaabi.
Raed Yassin and Paed Conca based their project PRAED
on the research between Shaabi and Mouled (traditional trance music from Egypt) and the hypnotic structures of both these genres. Repetitive beats, loud Mizmar and loads of energy, with a strong influence from psychedelic rock, free jazz and electronica.
During the years in which the duo produced four albums and performed on an endless number of stages around the globe, PRAED started working on an ambitious expansive project: an orchestra that could transpose this study of rural and popular culture into an immense, iconic work. In autumn 2018, supported by the Sharjah Art Foundation, PRAED Orchestra! premiered “Live in Sharjah”, interpreting new material merged with some of the band’s iconic pieces.
The composition process started with the choice of musicians: the line-up consisted of some of the most innovative artists coming from a wide spectrum of musical practices. Each musician was chosen for a defined role, and the common denominator was their capacity to interpret written material, and their ability to improvise effortlessly.
Each role was clearly set to work in unison with the rest of the group, while simultaneously sustaining a centrality in the choir. Solo parts masterfully drawn over the structure as a fil rouge connecting every piece of the entire concert; massive and powerful orchestral sections leading to a breathtaking trance-like state of mind; all of this material ultimately coalescing into an Egyptian Operette that narrates the sorrow, love, and deeply rooted culture of this urban music called Shaabi.
Tracklist
A- The Last Invasion
B- Doomsday Survival Kit
C- Mirage 72
D1- Embassy of Embarrassment D2- The Micro Dwarf Wave
E- The Spy Who Spoke Too Much
F- IL A3SAB
Credits
Recorded live at Calligraphy Square on November 3rd, 2018 in Sharjah UAE by: Sudish Suman & Shuaib Ahmad Poonthala
Edited by: Rabih Beaini at Morphine Studio, Berlin, Germany
Mixed by: Radwan Ghazi Moumneh at Hotel2Tango Studio, Montreal, Canada
Mastered by: Harris Newman at Grey Market Studio, Montreal, Canada
FOR MORE INFORMATION CONTACT:
SARAH@SIMSARA.ME / +44 (0) 7526704546